2-Person Solo Exhibition
September 12 - 29, 2025
Opening: September 12 / 5pm - 7pm
Teagan White is an artist and outsider naturalist whose work arises from direct experience with natural phenomena and dedicated communication with the land. Through careful observation and poetic allegory, their paintings explore regional ecological issues such as drought, wildfire, habitat fragmentation, and biodiversity loss, as well as the universal spiritual and psychosomatic burden of our acquiescence to a necrotic, extractivist civilization.
Bleak only at surface level, their work is saturated with the conviction that other, stranger, and more beautiful ways of engaging with the world are not only possible but limitless, and that solutions won’t be found through exclusionary conservation, technocratic fantasies, or neocolonial exploitation, but through a return to devoted kinship with all beings.
Though influenced by many years in the Midwest, Teagan currently lives in and makes work about the Pacific Northwest, where multitudes of licorice fern surge and wane in tandem with the rain, and dead seabirds sometimes wash up at their feet.
Nicole Duennebier received her Bachelor of Fine Arts at Maine College of Art with a major in painting. Her BFA thesis work was most influenced by research into the coastal ecosystems of Maine. In 2006 she was awarded the Monhegan Island Artists Residency. On the island she continued her work with sea life, and perceived a natural connection between the darkness and intricacy of undersea regions and the aesthetic of 16th-century Dutch still-life painting.
In 2008 Duennebier moved to the Boston area, and now lives and works in Malden. She is a 2016 and 2022 Massachusetts Cultural Council Painting Fellow and her work can be found in the permanent collection of the Museum of Fine Arts Boston and New Britain Museum of American Art. Writing about Bright Beast, her 2013 solo show at the Lilypad in Cambridge, Cate McQuaid of the Boston Globe said Duennebier’s “technical mastery gives the artist what she needs to seduce the viewer; the content lowers the boom.” Duennebier has also been featured in the Portland Press Herald, Art New England and Hi-Fructose Magazine, among other publications. Duennebier has worked alongside her sister Caitlin Duennebier for a number of collaborative exhibitions, most recently “Love Superior, a Death Supreme” at Simmons University. Earlier this year she had a solo exhibition at Nicodim Gallery, Los Angeles and exhibited paintings at the Shelburne Musueum, Vermont.